Biography

Matter is morphed by its environment, but never lost. When air and spark cause wood to burn, energy is released as hot gas. But the wood is irrevocably changed. It becomes smoke and ash. Weight and velocity meet a watery wall of stillness and the identities of 229 people crash into one another, breaking apart and coming together, losing themselves in an explosion with the sea. Bringing them back to whole is as impossible as turning ash and smoke to wood.


Praise for Fifteen Thousand Pieces:

A Medical Examiner’s Journey Through Disaster

“The John Butt who emerges from these pages is a professional precise, personally struggling, passionate, compassionate, cantankerous walking contradiction, a fascinating man in full—a tribute to Woolsey’s superb skills as a writer and storyteller.” -Stephen Kimber

“Within these pages you will find a supremely talented writer who understands what it is like to examine our own humanity, where moral complexities arise when so much of living life is enmeshed with dying and death. With poetic vision and empathy, Woolsey presents a truly impeccable debut of creative non-fiction.” -Lindsay Wong

“This is an evocative, beautifully-written biography—part homage, part exposé—of a Medical Examiner whose emotional response to an international tragedy riveted news watchers and infuriated investigators.” -Pauline Dakin


Memoir
woman crouching on a small boulder in the middle of a stream

work in

Progress

"Why did you leave?"

Four of us bump along the gravel road in a new friend's old car. My feet rest on a cooler stocked with beer and whiskey. The trunk is stuffed with blankets. We're headed to a farmer's field for an evening of stargazing, at my request. The Milky Way is a sparkling canyon across the night sky here. I can't see it from where I live.

I consider her question. It surprises me. Why wouldn't someone leave this tiny, uptight, backward place? Why wouldn't anyone run to culture, to education, to the style and substance of a cosmopolitan city?

Twilight landscape slides by the window. Swaths of yellow canola flowers glow against the impending darkness. Barley beards wave in the wind and I think of long hair moving underwater. Air rushing through the driver's open window is heady with the grasses of the fields. The sky dominates. I listen to the hiss-rumble of tires kicking up stones and dirt as we speed toward our planned still reverie. I know this place. These rolling hills cut to patchwork blankets of multicoloured crops are in my bones.

"So I could come back," I finally reply.

I was born in a small, conservative town in central Alberta in 1967. My older brother and I suffered the same dysfunctional childhood and clung to one another for support. When we were barely school-aged, we moved to the coast with our mother after our parents’ divorce. As we matured to young adults, my brother and I went in opposite directions. I worked a union job at a grocery store and became a mother at twenty-five. He had trouble forming solid relationships, or holding a job, and found his escape through heroin shortly before my daughter was born. I stayed in Vancouver and my brother went back to the heartland.

Though he no longer abuses opioids, my brother drinks daily and lives in a hotel room over a bar in a small Albertan town. Our obstacles to reconnection revolve around our political and world views. When we are together, we struggle to make space for one another's opinions, often resorting to skirting the issues at hand. But we keep trying. Despite everything, our love and respect for one another persists.

In this story, I am exploring how landscape influences community, and in turn, how community shapes beliefs. I’m pondering the way my brother and I shared the same childhood and trauma yet learned different lessons and embarked on contrasting paths. It was obvious as children that we were different people, but our view of the world and what we think is right has moved together and apart as our lives and locations have changed. Who are we fundamentally, and how do we come to believe in what is right and what is wrong? This is the story of sibling relations and adult reconnection. It is a contemplation of human nature and the necessity of belonging through the struggles of disagreement.


CBC Award Nonfiction

Memoir

My Best Friend

CBC Literary Award First Prize Creative Nonfiction 2010/11

He’s nine, I’m seven.

We’re in the schoolyard. He’s riding his bike around me in circles. I still can’t ride my two-wheel bike. I’m afraid of falling, of getting hurt.

It’s time to go home. “Please come with me. The streetlights are on. C’mon,” I plead. I really want to go, but he won’t come. We live just two blocks away.

“You go. I’m not ready,” he says, after I wait and stare at him while he pops wheelies.

“We’ll get in trouble. C’mon.”

“You go.”

“Mom’ll be mad,” I call to his back while he peddles away.

“I don’t care,” he yells back at me, his voice receding. There is a knot in my throat.

I go home alone and Mom demands an answer for his absence. “His bike has a flat tire and he has to carry it home. He’s coming. I promise.” She doesn’t believe me. “Please don’t be mad,” I beg.

It doesn’t matter, he will break all her rules and she will punish him. I go to my room to hide.

“You are just like your father,” she hisses at him when he comes home half an hour later. I hear the violence in her voice through my closed bedroom door.

I tell my dad about the fights while we’re on summer vacation, so my brother and I move to Dad’s little prairie town. I wear hand-me-downs and shoes with holes. My brother learns to fix cars and swear.

The singlewide trailer is too small, so Dad builds an addition of two bedrooms with a hall between for my brother and me. We don’t have doors on our rooms, and the floors are bare plywood.

My brother can’t stay awake at school, and he doesn’t like math or English. His hair is too long. He hangs out with the only other bad boy around. They play cop-show, two-wheeled daredevil, or famous rock-star. I don’t know any of these games. The bad-boy friend tries to enlist me as the hooker in a game of cop-show, but my brother says no, tells me to get lost. I go play alone in the strip of trees between our trailer and a field of rye.

I’m eleven, he’s thirteen.

I clean my room and go to bed without being asked. He plays his borrowed bass guitar to the same song, over and over, and keeps me awake at night. No matter how low he turns the volume, I can hear the tin sound of melody and the gentle bang of his thumb on the strings.

Rrrroxanne, you don’t have to wear that dress tonight...

“Turn it off,” I whine.

“Jeezus! I’m barely fucking breathing over here!”

...walk the streets for money, you don’t care if it’s wrong or if it’s right... “I can still hear it and you’re not supposed to play it after bed-time.”

Dad calls down the hall, “What are you two belly-aching about, now?” ...put on the red light... then silence from his room across the hall.

“Nothing,” I call back to Dad. A few minutes later, I hear it again, too muffled to make out the words. He’s wearing cheap headphones and drumming along with his fingers on something hard. I bury my head under the pillow and try to dream him away.

I’m fifteen. He’s seventeen.

Our bodies are big, adult-sized, though we are child-like inside. We’re in the city, back with Mom because Dad was always broke, always broken, and his small town couldn’t contain our desires. We spilled over the edges, into the farmer’s fields, and flattened the tall crops with our big-city ideas. We couldn’t find Jesus in our hearts or prairie grain in our blood, so came back to the rocky coast.

Back by the whispering sea, my brother and I bury the past deep in our bodies. My black box of memories forms a barricade in my intestines, gives me a stomachache. His takes up the love space in his heart.

There is a buzz around my brother at our new high school. He is tall, broad shouldered, still the same alien-blue eyes. He’s a musician. I admire him. He’s always had better fashion sense than me, better taste in music than me, better jokes than me.

No one talks to me much at the new school until the girls find out that he is my brother. I make friends through association.

He has the same girlfriend for three years, but he is not faithful to her. Their relationship is full of fights and pretend break-ups. She’s caught him in so many lies and his defense is always anger. I think they must have great make-up sex. She is sweet and beautiful. I can’t understand why she puts up with him.

The three of us are in a car. He’s raising his voice, “It’s lies. You’re always accusing me of something.”

She turns to me. Her face is red. She’s wearing a faded jean jacket, asymmetrical ginger bob. Freckles. “He’s lying,” I say, because it’s the truth. “He was with someone else.”

She is top-notch sister-in-law material and I’m making sure she knows by putting her in the sibling circle of truth. She’s only there for a second, but it’s long enough for her to leave.

He’s twenty-seven.

We’ve grown up and apart. He goes overseas with his new fiancé and they break-up in Japan. I give birth while he’s away, building my world while his crumbles.

He moves to LA and tries to do something, to be something. He finds heroin and the escape route for which he’s been searching. When I go to see him, he tells me that the high is bliss, but he doesn’t offer me any.

Three years later, he comes home to get clean and asks to stay with me for a month or two. He stays for over a year. He doesn’t pay rent or buy food and I finally have to blow up, freak out, yell for three days straight to get him to leave.

He’s thirty-two.

He shows up at my door, a mess. He edges around me, into my living room. He paces back and forth. Snot runs down his face and his huge eyes are rimmed in red.

“I need to talk to someone.”

“What’s wrong?” I’m a bit panicked, but this scene is not new.

“I made her break up with me.” He is sobbing into his hand. “I watched it happen and I couldn’t stop. I wanted to feel bad.” He’s been working as a bike courier and he met a cute receptionist with a French accent on one of his drops. Her desk became a regular part of his route. They’ve been dating for two months now. She is racy and fun.

He flops on the couch, classic hand-covering-face posture, and tells me how he purposely didn’t return her messages for days, until he knew that she was furious. Then he went to see her, helpless looking and holding flowers. She ranted, accusing him of everything she suspected, while he did nothing, admitted nothing, letting her heartbreak pummel him, until she threw him out.

When he runs out of steam, I offer him leftovers. “Got a joint?” he asks. We spend a few hours watching TV. He gets fed. He laughs at the cartoons. I get a glimpse here of something broken. I don’t know how to fix it. He needs too much. He takes too much. He is angry at the world. I distance myself, protect my life from his wrecking ball. I see him less and less. Sometimes, I don’t even know where he lives, even though we’re in the same city.

He’s forty.

He’s at the door again. It’s not good when he shows up; never just to say hi, to bring back something he borrowed, or to visit, like a normal brother might, in my imaginary world. He’s crying and broken. “I don’t have anywhere to go. I have no money, nothing. Please,” he locks eyes with me, “help me. You’re my sister.”

“You can’t come over here like this. It’s not fair,” I say, groping for a shield. I can see the panic rising in his face.

“Please.” He is pleading, not yet angry, so I know he has enough money in his pocket for at least one more time. “I’m not using, I swear.” The scabs on his face and the ball cap bill hiding his eyes tell another story. He’s been on my couch before on his way to rehab. That was my condition the first two times; he could live on my couch and eat my food if he was on the wait-list for detox. I thought I was so smart. I patted myself on the back for my fortitude. I felt like a war nurse.

I’m worn out now. He’s stuck in his loop and I don’t have the strength to keep going around. I try to accept our respective helplessness. I employ Zen models, tell myself it’s his path and he must need to know it. “I can’t save you. I have to let you fall,” I say. I don’t go on and tell him how hard it is for me to say no, how conflicted and sad I feel. I think he’ll use it against himself. Two of his friends have killed themselves on heroin. He says he’ll never do that. He says he’s scared to die.

He’s forty-four now.

I have this recurring dream about him. I’ve had some version of it since we were kids. My brother is dying over and over of many different things. He is beaten and diseased and destroyed. Every time, I try to save him, kill myself to save him, barely save him.

I find this letter in an old sketchbook:

Dear God, my creator,

Thank you for my life and for who I am. Thank you for my sister. Thank you for AA and the support I get from Nancy and Dave. Thank you for Turning Point and all I lerned there. Please help me have the courage I need to go back to meetings and just do what I must to get back on my feet. Please keep me humble and help me accept where I am and to not loose sight of where I’m going. Please take away any desire to use drugs. I don’t want them anymore. I offer my self to you and to build with me as you. So, please take my will and my life and show me how to live.

A-men.

I don’t know if he means for me to have it, but he probably wrote it four or five years ago. The lined paper was tucked inside the front cover and laid flat with no folds, as if it were a portrait or a piece of art. It’s written with a mix of upper and lower case letters. I try to type it case-sensitive, to be true to it, but it looks all wrong. The spelling errors give me a lump in my throat because they make me think of us in school together and how I can’t spell either.

My brother has moved to another province and I haven’t had his address or phone number since he left two years ago, after his third time in rehab.

I don’t know how old we are.

This memory is creased and worn from use and time. We live across the bay from the city, in an apartment. There is lawn furniture in the living room and we don’t have a TV. My brother and I share a room, our twin beds close together so we can talk each other to sleep. In the morning, I get up before him and go to the kitchen. I quietly move chairs out of the way so we can play when he wakes up.

We make boats out of sleeping bags and push ourselves around on the linoleum while Mom sleeps. We whisper across the slippery squares of pretend water between us, playing quiet pirate games.

He is my best friend. I’ve known him forever.

Published Work

Non-fiction

2023 Fifteen Thousand Pieces: a medical examiner’s journey through disaster; Hamilton, Ontario, Guernica Editions, Miroland Imprint, 2023. Literary nonfiction, paperback, 300 pages

2023 “The Grief that Endures 25 Years After the Swissair Disaster,” The Globe and Mail, Sept 1 edition, Op-Ed

2018 “Your Body is a Lone Tree” In Anthology, F. Tinwei Lam, J. Silcott (Eds), Love Me True: Writers Reflect on the Ins, Outs, Ups & Downs of Marriage (pp 209-212). Qualicum Beach, British Columbia: Caitlin Press, 2018

2011 “My Best Friend” En Route Magazine, (pp 71-73), April 2011 Issue

Libretto:

2022 Green Space: Vancouver, BC; Erato Ensemble; premiered July 11, 2022, at The Annex

2021 The Perils of Pierrot: Vancouver, BC; Erato Ensemble; premiered May 1, 2021, online (due to Covid)

Screen:

2006 “Happy Birth-Daze” (episode 20), The Very Good Adventures of Yam Roll in Happy Kingdom (series), Vancouver, BC; CBC Television, premiered May 4, 2006